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Robert S. Call, M.D.received his allergy training at the University of Virginia and remained on staff as an Instructor in Medicine for 2 years teaching and researching Asthma before moving to Richmond. Prior to his fellowship in Allergy, he did his Internal Medicine training at Michigan State University, Grand Rapids Campus.

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He is a Graduate of University of Virginia’s Medical School and School of Arts and Sciences where he received an MD and a BA in Biology.

Currently, Dr. Call practices full time treating adults and children with allergies. His special interests include food allergy and exercise induced asthma. He also owns and is President of Clinical Research Partners(CRP), a clinical trial company. CRP performs clinical trials in allergy and other internal medicine related areas.

In 2005, he was appointed by the Governor of Virginia to the Commonwealth Health Research Board (CHRB) and was the Chair until 2015. CHRB provides funding to universities, hospitals and other facilities throughout the State of Virginia for research projects that benefit the citizens of Virginia. Previously, Dr. Call served as the President of the Allergy and Asthma Society of Virginia, a 2 year post, and as President and Chairman of the Board of the Richmond Academy of Medicine.

Dr. Call’s favorite thing to do exterior of allergy is spending time with his wife, Mary, and his 4 lovely daughters.

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For several years running, Dr.

Call has been named a Top Doc by Richmond Magazine.



Allergy & Asthma Centers S.C.

Greenfield Location

4811 S. 76th St, Suite 400
Greenfield, WI 53220
414-281-0404

Hours of Operation
Monday: 9:00 AM – 5:30 PM
Tuesday: 9:00 AM – 5:30 PM
Wednesday: 9:00 AM – 6:00 PM
Thursday: 9:00 AM – 8:00 PM
Friday: 9:00 AM – 5:30 PM

Allergy Shot Hours
Monday: 9:00 AM – 11:30 AM; 1:30 PM – 5:00 PM
Tuesday: 1:30 PM – 5:00 PM
Wednesday: 9:00 AM – 11:30 AM; 1:30 PM – 5:30 PM
Thursday: 1:30 PM – 8:00 PM
Friday: 9:00 AM – 11:30 AM; 1:30 PM – 5:00 PM

Wauwatosa Location

2500 N.

Mayfair Road, Suite 220
Wauwatosa, WI 53226
414-475-9101

Hours of Operation
Monday: 9:00 AM – 5:30 PM
Tuesday: 9:00 AM – 5:30 PM
Wednesday: 9:00 AM – 8:00 PM
Thursday: 9:00 AM – 4:00 PM
Friday: 9:00 AM – 5:30 PM

Allergy Shot Hours:
Monday: 9:00 AM – 12:00 PM; 1:30 PM – 5:30 PM
Tuesday: 1:30 PM – 5:00 PM
Wednesday: 9:00 AM – 8:00 PM
Thursday: 9:00 AM – 11:30 AM
Friday: 9:00 AM – 12:00 PM; 1:30 PM – 5:00 PM

Susanna Silverman, MD | Allergy & Asthma Care of New York

Dr.

Susanna Silverman is  Board Certified by the American Board of Allergy & Immunology as well as the American Board of Internal Medicine.

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Dr. Silverman completed her undergraduate education at Harvard University, followed by Medical School at the NYU School of Medicine. She completed her Internal Medicine residency at NYU Langone Medical Middle and her Allergy & Immunology Fellowship at the Hospital for the University of Pennsylvania. She treats both adults and children for allergy (penicillin, food, seasonal) , asthma & immunological conditions. Dr. Silverman tailors her evaluation and treatment of each patient to fit their specific needs.

Her unique experience allows her to get to the bottom of even the most complicated symptoms.

EDUCATION AND MEDICAL TRAINING

  1. New York University School of Medicine, Internal Medicine Residency
  2. New York University School of Medicine, Medical School
  3. University of Pennsylvania Health System, Allergy and Immunology Fellowship
  4. Harvard University, Undergraduate

BOARD CERTIFICATIONS

  1. American Board of Allergy and Immunology, 2015
  2. American Board of Internal Medicine, 2012

HOSPITAL AFFILIATIONS

  1. New York University Langone Medical Center

PROFESSIONAL AFFILIATIONS

  1. American College of Allergy, Asthma, and Immunology
  2. American Academy of Allergy, Asthma, and Immunology
  3. New York Allergy and Asthma Society

LANGUAGES

PUBLICATIONS

  1.  Silverman S, Bassett C, Rothstein R.

    The Potential Benefit of Immunotherapy in the Treatment of Eosinophilic Esophagitis in Adult Patients. The Journal of Allergy and Clinical Immunology. 2012 Feb; 129 (2): Supplement, AB956. (Abstract).

  2. Silverman S, Apter A. Prevalence of chronic urticaria in adult patients with self-reported penicillin allergy. The Journal of Allergy and Clinical Immunology. 2015 Feb; 135(2): Supplement, AB385. (Abstract).
  3. Silverman S, Bassett C, Rothstein E. Dysphagia, Stricture, and Family History in 45 Adult Patients with Eosinophilic Esophagitis. Annals of Allergy, Asthma, and Immunology. 2011 Nov; 107 (5): Supplement 1. (Abstract).
  4. Silverman S, Localio R, Apter AJ.

    Association between chronic urticaria and self-reported penicillin allergy. Annals of Allergy, Asthma, and Immunology.

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    2016 Jan; 116(4): 317-320.

  5. Gupta M, Jafri K, Sharim R, Silverman S, Sindher SB, Shahane A, Kwan M. Immune reconstitution inflammatory syndrome associated with biologic therapy. Current Allergy and Asthma Reports. 2015 Feb; 15(2): 499.
  6. Silverman S, Bassett C, Rothstein E.

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    Association between Eosinophilic Esophagitis, Food Allergy, and Airborne Allergy in a Cohort of 45 Adult Patients. Annals of Allergy, Asthma, and Immunology. 2011 Nov; 107 (5): Supplement 1. (Abstract).

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Allergy & Asthma Care of New York accepts most insurance plans.

If you own any questions for the NYC allergists or would love to schedule a consultation with the allergists please feel free to contact Allergy & Asthma Care of New York (212) 964-1295 or (212) 759-8644 and indicate which NYC office (Financial District, Gramercy, Midtown) you would love to be seen.

Last Saturday, a day after the opening of “Peter Rabbit,” Will Gluck’s new and free adaptation of Beatrix Potter’s stories, Kenneth Mendez, the president and C.E.O.

of the Asthma and Allergy Foundation of America, issued both a statement on and an open letter criticizing the film’s makers and its studio, Sony, for one specific scene. In that scene, Peter and the four other rabbits, who are being threatened and pursued by Tom McGregor (the heir to the venerable Mr. McGregor’s garden), adopt a new strategy to fight him: knowing that he’s allergic to blackberries, they use a slingshot to shoot blackberries at him, and one goes directly into his open mouth. He begins to choke, feels an anaphylactic episode coming on, reaches into his pocket for his EpiPen, injects himself with it, and keels over in exhaustion.

The Asthma and Allergy Foundation criticized the filmmakers for making light of a life-threatening allergy and for depicting the use of an allergen as a weapon against a gravely allergic person.

The statement warned that the movie could be “disturbing” to children with serious allergies; some people advocated a boycott. In response, Sony offered an apology. As a parent of children with severe food allergies, I wish I’d seen the movie before the controversy broke out, because I’d be curious to see whether I would own reacted strongly to the scene without having been alerted to it beforehand. Under the given circumstances, I found that I consent that the scene spotlights an unpleasant insensitivity, even an ugly obliviousness, on the part of the filmmakers. Yet, even more, it throws into sharp relief the over-all tone and import of the film, and, in the process, reveals other peculiarities that make “Peter Rabbit” exemplary of recent movies and of the times.

“Peter Rabbit” is a boisterous comedy in which live action (human characters in realistic homes, landscapes, and towns) is blended with C.G.I.

as seamlessly and as persuasively as in “Paddington 2.” The film was made by a comedy director (Gluck directed “Easy A” and “Friends with Benefits”) who, in the script, which he co-wrote with Rob Lieber, has taken extreme liberties with Potter’s stories. Peter and his family live in a hollow beneath a tree in rural Windermere, England, and gleefully filch produce from the garden of their nemesis, the elderly Mr.

McGregor. When Mr. McGregor suddenly dies, the home and garden are inherited by his great-nephew Tom (Domhnall Gleeson), a Londoner and a tidy freak who is even more hostile to the rabbits than Mr. McGregor was. But his battles against them are inhibited when he makes the acquaintance of his neighbor Bea (Rose Byrne), an artist who is the rabbits’ defender and protector (and also their portraitist). Bea and Tom drop in love; knowing that Bea also loves the rabbits—and, especially, their ringleader and brightest personality, Peter—Tom has to do his rabbit hunting on the sly.

Peter and the other rabbits take advantage of Tom’s self-enforced restraint to run rampage through his garden and make his life miserable; Tom, for his part, stealthily takes increasingly forceful action against them.

That’s when, facing genuine harm, the rabbits prepare to unleash the blackberry attack, knowing full well its potential consequences. Peter calls it “the endgame.” For that matter, a bit earlier, as they plan the attack, the other rabbits are hesitant; Peter’s mild-mannered cousin Benjamin says that “allergies are serious” and adds, “I don’t desire to get any letters.” (The line wasn’t inserted into the movie after the controversy arose; it was always there.)

What’s peculiar about “Peter Rabbit” is that, along with its quippy, often self-referential humor and plentiful (often clever) visual gags, it features an unusual quantity and degree of violence, which link it to classic-era Looney Tunes cartoons and Three Stooges shorts.

When the elderly Mr. McGregor keels over, Peter examines him by poking his eyeball—and, after declaring him dead, gleefully takes credit for killing him. (Mr. McGregor actually died of a heart attack.) Tom comes slamming at the rabbits with rakes, hoes, and other garden tools. He installs an electric fence against the animal intruders, only to own the rabbits rewire it, electrifying his doorknobs with shocks that blast him, cannonball-like, against hard rock walls.

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The rabbits plant snapping traps and rakes around Tom’s bed, leading to pinchings and clobberings; they leave various fruits on staircase landings, sending Tom tumbling below. There’s a repeated gag in which one of the sisters enjoys taking a hard drop and breaking one rib after another, and a climactic bit, involving dynamite, that’s almost apocalyptic.

In another sense, though, the tale owes nothing to the action-heavy, character-thin antics of Bugs Rabbit or Daffy Duck, Elmer Fudd or Road Runner and Wile E.

Coyote. Rather, Gluck’s “Peter Rabbit” is thoroughly composed and intricately characterized; the rabbits, no less than the humans, are given elaborate backstories and large emotional arcs that the plot is devoted, at length, to illustrating, explicating, and resolving. Peter and his sisters—Flopsy, Mopsy, and Cottontail—are orphans; their dad was killed and eaten by Mr. McGregor, and Peter’s familiar blue jacket is actually his father’s. Their mom died, too, making Bea is the closest thing to a parent that the rabbits have.

Meanwhile, Peter is a mischievous, temperamental, vain, proud hothead, who, in a silent moment, acknowledges that it’s his “character flaw” to do “stupid and reckless” things.

(Oddly enough—or perhaps not oddly at every, given that the movie is written by two men—Bea is given the least backstory.) When romance blooms between Bea and Tom, Peter’s response is partly one of a practical worry for the rabbits’ safety. But, as the violence ramps up between Tom and Peter, even Benjamin wonders whether Peter has an ulterior motive—jealousy. In other words, with Bea as Peter’s virtual mom, “Peter Rabbit” is something of a tale about Peter trying to come to terms with a stepfather; the comedic drama links Peter’s mean streak to his emotional deprivation and trauma, and it takes him carefully through the paces of his rise to self-recognition and maturity.

It is precisely this strain of emotional realism that makes the allergy subplot, slight though it is, so repellent.

The movie’s other varieties of violence are exaggerated, cartoonish, not just in depiction but in substance.

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Few kids own experience with electrical engineering or own dynamite at home; most kids know other kids with severe allergies. (Despite its explosive extremes and intricate, Rube Goldberg-esque calculation, there are no guns and no knives; Gluck clearly knows that certain things aren’t to be trifled with.) Meanwhile, the same emotional realism turns “Peter Rabbit” didactic, dutiful, tedious. Its mechanistic moralism, seemingly distilled from screenwriting classes and studio notes, is the sort that marks so numerous movies now—ones for adults as well as those for children—imparting values in the form of equation-like talking points, which prepare viewers not for life but for more, and similarly narrow, viewing.

Gluck clearly relishes the slapstick action that the characters incite, the situations inspire, and the technology enables, and he invests it with his own sense of exuberant discovery, which is minor but authentic.

When it comes to life lessons, however, he dons his official cap and, far from doing any learning in the course of the action, merely dispenses the official line. That’s why the scene involving a life-threatening allergy is every the more conspicuous: while the relax of the movie marches in lockstep with its edifying narrative, that scene is out of put. It doesn’t follow the script.


About Vikas S. Kancherla

Dr. Kancherla joined Allergy & ENT Associates in August, 2007.

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He is a Diplomate of the American Board of Pediatrics and the American Board of Allergy and Immunology. He is a Sugar Land native and received his undergraduate degree from Houston Baptist University. In 2002 he received his medical degree from Texas Tech University in Lubbock, TX. During his training, he excelled in research involving disorders of the immune system, presenting his findings at various national conferences.

His recent two year fellowship training in Allergy and Immunology was completed at Baylor College of Medicine and Texas Children’s Hospital in Houston, TX.

He enjoys working with patients of every ages and takes the time to educate and answer questions about allergic diseases.

Dr.

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Kancherla is married and is an avid Houston sports fan.

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